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Name of the Father
The Name-of-the-Father (French ''Nom du père'') is a concept that Jacques Lacan developed from his seminar ''The Psychoses'' (1955–1956) to cover the role of the father in the Symbolic Order. Lacan plays with the similar sound of ''le nom du père'' (the name of the father), ''le non du père'' (the no of the father), and ''les non-dupes errent'' (the non-dupes err) to, in the former case, emphasize the legislative and prohibitive function of the father and, in the latter case, emphasize that "those who do not let themselves be caught in the symbolic deception/fiction and continue to believe their eyes are the ones who err most."〔Slavoj Zizek, "With or Without Passion", http://www.lacan.com/zizpassion.htm〕
==Origins and scope==
Lacan's concept draws on the mythical father of Freud's ''Totem and Taboo'';〔Alan Sheridan, "Translator's Note", p. 281〕 and was used by him as a strategic move in his opposition to what he saw as the over-emphasis of object relations theory on the exclusive relationship of the individual and his/her mother as a dual pair.〔Jacques-Alain Miller ed., ''The Seminar of Jacques Lacan: Book I'' (Cambridge 1988) p. 65〕 Lacan emphasised instead the importance of the third party in the Oedipus complex – what he called “the place that she (mother ) reserves for the Name-of-the Father in the promulgation of the law”.〔Jacques Lacan, ''Ecrits: A Selection'' (London 1997) p. 218〕 He saw this as a vital element in helping each new member of the human race to move from an exclusive, primary relation to the mother() to a wider engagement with the outside, cultural world – the symbolic order.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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